If this book provided a set of rules to be learned and applied, writing a thesis might seem pleasingly easy. But, because writing a thesis is seldom easy, the book instead offers a more complex mapping of the process. The purpose is to raise awareness of the critical choices involved in research and thesis writing for both masters and doctorates. Running as a leitmotif throughout is the notion that no conceptual construct can be complete unto itself. Concepts can only be defined in terms of their dynamic relations with other constructs. It is in this context that the three broad methodological categories informing discussion in the book - exegetic, empirical, and qualitative - were adopted for didactic purposes only: at no time are they considered autonomies. Therefore, not only can they be compared in multiple ways, their shared continuities are often as significant as their differences. Nonetheless, as in the case of different disciplines, differing methodological positions have different textual outcomes. Writing a masters' or doctoral thesis is not only an inherently idiosyncratic exercise, it is also epistemic and, in the current intellectual climate, rhetorical. The malleability of the disciplinary and methodological vocabularies used in academic rhetorics reflects the manner in which not only words but also styles of writing evolve to suit particular purposes. For this reason, the style of writing and the words used in a thesis will need to be interrogated with the same informed intensity applied to all other aspects of the research undertaking. Only then, with the drawing of a more complex cognitive map, will a definition incrementally develop of what - in terms of a researcher's own needs - constitutes sound academic discourse.

Barry White kicks off Staying Power, his first album since 1994's The Icon Is Love, with a title track that boasts of his long-running stamina, both in bed and in terms of his career. Indeed, the mood here is often as reflective as it is seductive. While sticking close to the machine-tooled groove that helped make Icon's "Practice What You Preach" such a memorable single, the disc also finds White putting his low-register stamp on War's "Low Rider" and Sly Stone's "Thank You" (the latter in a version that, intriguingly, recalls the slow There's a Riot Goin' On take more than the better-known hit). Staying power? Hey, if you've got it, flaunt it. --Rickey Wright

Import only 10-track collection released through Universal.